In what may be heralded as one of the most important photographic breakthroughs in recent memory, Pizza Hut has unveiled a pizza box that comes with a lens, thus turning it into a projector. Revolutionary!
The instructions say that you’ll require a smartphone and a darkened room. Then as with any cardboard projector the luminescent image of the screen will be projected and focussed through the lens that comes with the pizza. Ingenious. Perhaps they were inspired by Google’s cardboard Virtual reality system. Continue reading →
Folks, we’ve officially come full circle. The gigantic advancements in technology that have been made since Daguerre first fixed an image, Fox-Talbot invented the reproducible image and Kirsch invented the pixel still has photographers like us grasping for our roots. “The Camera Obscura is Back.”
And like anything in this post-post-modern world, it needs a tacky sales schpiel to sell it (we’ll get to that later.)
Before there were photographs, we painted to make a record of people, places and ideas. Many of these artists would use a camera obscura to aid them in this process as they provided a still frame from which to copy from, trace over or interpret more easily than their own sight. Damn peripheral vision!
David Hockney pointed out that many masterpieces had to have been created using this ‘old camera technology’ much to the horror of many art historians.
Then came along 1800s and something called ‘fixing the image’. Scientists, chemists and hobbyists (there were no photographers back then obviously) started experimenting with different materials that would take the light exposed onto the back of the camera obscura and fix it in place. Niépce was the first to successfully do this in 1827, although modern photography is often attributed to Daguerre and Fox-Talbot over a decade later.
Excited? Well get ready to have your visions of grandeur dashed by an awful ’90s style infomercial that not only teaches you how to suck eggs, but at the same time devalues the premise of the idea it’s created. Continue reading →
In a twist that may inspire millions to reach for their attic cupboards and pull out boxes of old camera gear, Michael Vivona shows that film photography isn’t dead just yet by bringing analogue cameras back to life.
Michael openly admits that he isn’t a photographer, which is evident from the Instagram filtered display photos he’s taken for his art. However, what he lacks in compositional detail for the camera frame, he more than makes up for in his artistic ability as a sculptor. And it’s not just your typical Hollywood shape that’s appearing in his collection, there’s a penchant for dogs as well.
Drawn to items built and designed in the ‘Atomic Age’ Michael poured through local thrift stores looking for items when he stumbled across his first ‘camerabot.’ With a projector as a body, security cameras as feet and an old twin lens reflex 120 film camera lending itself as eyes, his first Wall-E or Johnny-5 type character was born. Continue reading →