If you often work with digital photography, this building may look strangely familiar and create a stirring annoyance in your waters. The architect has intentionally designed it to look like a typical image file glitch. Look a bit closer.
The brainchild of Christoph Merian Stiftung, the piece was commissioned by the House of Electronic Arts Basel and now sits prominently on display Continue reading →
Every once in a while you come across a series of images that explode off the page with a beautiful simplicity and Christopher Colville’s photographs have quite literally done just that – because they’re created using gunpowder!
We conducted this interview with ‘Destructive Girl’ Estefânia Silva, a music writer and photographer who has leapt whole heartedly into this delightful film challenge and here’s what Continue reading →
Tom Fletcher, formerly of McFly & McBusted has done it again. A few months ago he crushed the stern look of parents across the country with his dandelion clock video and now he’s back with something even harder hitting. Player 2:
We won’t give anything away, just make sure you’re not watching with your mates as it may choke one or two of you…
PBS Digital Studios have put together a short segment discussing how to approach the age old layman saying “I could do that.” It’s a phrase that photographers and artists alike often run in to when looking at what looks like unskilled art in the modern era.
The traditional answer of you didn’t, and they did didn’t quite cut it for one PBS viewer so Sarah Green got down to business. In this lovely little video, Sarah discusses several art pieces we may be familiar with and touches also on the implications the dawn of photography had.
So next time you unintentionally insult a photographer, artist or museum curator with your witty remark, take a closer look at the artwork and ask yourself what you’re looking for.
Here’s a fun creative idea to try out at home or in your own studios. Scottish photographer Kim Ayres has taken the unusual step of turning his camera around to face a light box for a striking set of abstract portraits.
Ayres had been photographing fellow Scottish artist Isabell Buenz when the thought occurred to her. Ayres, who has a keen sense of creativity willingly obliged and Isabell jumped in to the 6 foot high soft box and let her silhouette take place. Continue reading →
It’s a cry photographers know all to well, “the final shot of the day was the one, I’d finally cracked it” and that rings true for Alex Timmermans’ most recent wet plate collodion creation ‘Swan Lake’. A man who strives in meeting a bar of perfection set so high he’s known to keep working on a set until sheer beauty is realised. Just take a look at the final plate.
Swan Lake by Alex Timmermans, 2015
What is so striking about this image alters depending on your perspective. Initially, the swan, which we know as a beautiful but fierce creature is mid-dynamic, calling upon a dancer somehow floating on water in a self embrace. The stage looks incredibly dangerous however Continue reading →
We caught up with Anton Orlov this morning who kindly agreed to guest post here on PhoGoTraphy and share his latest work:
The day has come my friends! After months of being nothing more than a dream and concept, weeks of experimenting and building, and days of testing and working out the kinks today at San Diego Museum of Photographic Arts I will be unveiling what I believe to be the first completely transparent and entirely functional camera. I call it CLERA, short for Clear Camera, and without further ado here it is pictured against the clear San Diego skies. It is the first camera where you can actually SEE the image projected onto the piece of photographic material during the exposure!
#CLERA by Anton Orlov
I came up with this idea while working in my dark box and developing tintypes. Those of you familiar with my work know that for the past few years the medium of wet plate collodion has consumed my photographic endeavours almost entirely.
In what has been hailed as the first of its kind, scientists have embraced the old art of the moving image to project an image of a galloping horse onto clouds from a plane.
The horse and rider, an obvious reference to Eadweard Muybridge’s photographic studies of motion appears as a ghostly green shadow in the clouds courtesy of a modified zoopraxiscope by artist Dave Lynch.
Here in the video you can see the contraption’s internal workings prior to scenes shot from a plane. If viewed from the ground it’s unlikely you’d see anything but flashing random lights dancing within the clouds.
Despite the feat of imagination it will have taken to achieve, the final product is still somewhat shaky and basic in design. We really look forward to seeing what advances in visual technology are made as a result. It’s worth taking a trip to Dave Lynch’s website to learn more about the collaboration involved in ‘Project Nimbus’ and the three years of documented effort that went in to its creation.
Bliss is widely accepted to be the most ubiquitous photograph to have ever graced our computer screens, simply because it was the flagship desktop wall paper that came with Windows XP. The image itself was a wonderfully evocative scene that inspired many interpretations, parodies and is still discussed academically today. One of the most common misconceptions is that it was CGI, or at best a very heavily edited photograph, however as the man who took the snapshot, Chuck O’Rear explained, it was little more than a medium format frame of some vineyards on film that Bill Gates bought the full rights to.
For Windows 10, we’re treated to this:
A highly stylised, light show that looks like a scene straight out of Tron Legacy. It’s a sanitised, far too perfect, completely constructed image that is as far away from Bliss as you can get. Despite still championing a photographer to produce the piece, the web is less than impressed.Continue reading →