You know in the debate of analogue vs digital, analogue photographers are always saying the whole process behind film photography slows them down and makes them think more? We found this wonderful pinhole photography video that perfectly represents this point:
We discovered this wonderful book ‘Electronic Television’ by George H. Eckhardt earlier today and were thrilled to find this vision of future photography transmission inside it (it was written in 1936):
While Eckhardt describes this method of transmitting an image impractical in order to demonstrate the superiority of television transmission, it is fascinating to Continue reading →
Having spent most of his life building things for other people, photographer Rene Smets of Lummen, Belgium now enjoys his retirement by designing and constructing unusual wooden cameras which he would then go on to use for wet plate collodion photography. On the 3rd of October René set himself a project for the winter; to build a camera lens made out of wood. He would then go on to spend an exorbitant amount of time over the next nine days bringing his idea to life.
Rene documented the process with photographs, but like all great makers, started with a self made design first of which he would follow throughout the process:
This is how the lens would start its life. Two different pieces of Belgian wood that have been dried over a twenty year period. On the left is Buxus wood, Continue reading →
Every once in a while you come across a series of images that explode off the page with a beautiful simplicity and Christopher Colville’s photographs have quite literally done just that – because they’re created using gunpowder!
500px, renowned as being a home for incredible photographers, more so than any other online service is constantly throwing up incredible work by talented artists. One such image tweeted out the other day really caught my eye, a remarkable iceberg shot by Daniel Kordan.
Here’s a fun creative idea to try out at home or in your own studios. Scottish photographer Kim Ayres has taken the unusual step of turning his camera around to face a light box for a striking set of abstract portraits.
Ayres had been photographing fellow Scottish artist Isabell Buenz when the thought occurred to her. Ayres, who has a keen sense of creativity willingly obliged and Isabell jumped in to the 6 foot high soft box and let her silhouette take place. Continue reading →
It’s a cry photographers know all to well, “the final shot of the day was the one, I’d finally cracked it” and that rings true for Alex Timmermans’ most recent wet plate collodion creation ‘Swan Lake’. A man who strives in meeting a bar of perfection set so high he’s known to keep working on a set until sheer beauty is realised. Just take a look at the final plate.
Swan Lake by Alex Timmermans, 2015
What is so striking about this image alters depending on your perspective. Initially, the swan, which we know as a beautiful but fierce creature is mid-dynamic, calling upon a dancer somehow floating on water in a self embrace. The stage looks incredibly dangerous however Continue reading →
We caught up with Anton Orlov this morning who kindly agreed to guest post here on PhoGoTraphy and share his latest work:
The day has come my friends! After months of being nothing more than a dream and concept, weeks of experimenting and building, and days of testing and working out the kinks today at San Diego Museum of Photographic Arts I will be unveiling what I believe to be the first completely transparent and entirely functional camera. I call it CLERA, short for Clear Camera, and without further ado here it is pictured against the clear San Diego skies. It is the first camera where you can actually SEE the image projected onto the piece of photographic material during the exposure!
#CLERA by Anton Orlov
I came up with this idea while working in my dark box and developing tintypes. Those of you familiar with my work know that for the past few years the medium of wet plate collodion has consumed my photographic endeavours almost entirely.